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    WIP Wednesday

    Posted By Editor on January 26, 2012


    Are you an author with a current work-in-progress you’d like to tease on a future WIP Wednesday? E-mail Erin O’Riordan: erinoriordan AT sbcglobal DOT net.

    One of my current works in progress is a collaboration with Rushmore Judd. Its tentative title is The Spell You Cast. This may or may not be the final cover (without the watermark, of course):

    The blurb: Troy falls for Madeline’s magic only to discover he is part of a much larger plan plotted by Madeline and her ‘sisters’. The sex is steamy as Troy’s infatuation with Madeline becomes deeper, even as she introduces him to the other women of her coven.

    Through the end of February, you can get Rush’s latest erotica e-book, The Director’s Couch, free on Smashwords if you use the coupon code JK74J.


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/OoZ-mtHZsH_/WIP+Wednesday

    WIP Wednesday Strikes Again

    Posted By Editor on January 19, 2012

    Authors, would you like to share approximately 100-200 words about a current work in progress on a future WIP Wednesday? If so, please e-mail the details to erinoriordan AT sbcglobal DOT net.

    Erin O’Riordan: This is the beginning of one of my current works in progress – romance, not erotica, this time. I was planning on having this polished up and ready to submit by the end of January, but the deadline got moved forward to April 1st. I’ve also been working on one called “Sheep Shifter” this week (definitely due Feb. 1) and another (already accepted) called “Aftercare.”

    Excerpt:

    Eric sat on the long bench of dark wood, its seat worn smooth by heavy traffic. He sat alone, which only underscored to him that whatever the Queen had to say to him, it had to be important. Queen Jasmine rarely had the opportunity to clear her schedule.

    To his left, the heavy door built of the same dark wood at the bench was flanked by two members of the palace guard, dressed in Avalonia’s traditional black and white uniforms. The baroque garments of velvet, satin, lace and hosiery surely looked rather ridiculous to an outsider, but never failed to make Eric proud of his fiercely independent nation and its ancient heritage. Besides, when two men were as tall, muscular and generally dangerous-looking as the two members of the guard currently on duty, no one would dare make fun.

    The doors opened, and a prim-looking young woman with short hair, wearing a dress accented with a red satin rose, stood in the doorway. “Eric de la Fontaine, Her Majesty’s minister of finance,” she announced in the clipped, upper-class accent of the Avalonian capital, Givene. He took his briefcase from where it sat between his feet, rose and approached the woman. She turned, and Eric knew he was to follow her.

    The Queen, a dignified, petite olive-skinned woman of about fifty-five with intense hazel eyes, sat in an ergonomic chair behind a long table. She wore her long, black pulled back in a tight French braid and dressed in a sensible gray wool suit with a skirt that reached just below her knees.

    Eric bowed his head respectfully. “Good afternoon, Your Majesty.”

    “There’s no need to be formal, Eric,” she responded. “I haven’t called you here to talk to you about the affairs of state. I’ve come to talk to you about a personal matter. Please, have a seat.” The Queen’s assistant pulled out a chair across from the Queen, nodded, and returned to her small desk beside the door. Eric placed his briefcase on the table.

    “A personal matter, Your Majesty?” he asked as he sat.

    An attendant, a young man with shockingly red hair, brought the queen a decanter of Scotch, a dish of ice and two glasses on a tray. The attendant added ice to each tumbler, then poured a generous portion of the amber liquid over it. He served the Queen first, then Eric. Eric nodded to indicate his thanks. As the Queen took a long sip of her drink, Eric nipped at his. It was stronger than he typically liked to imbibe this early in the afternoon. He leaned back in his chair and tried to relax, although he felt a surge of anxiety.

    “As you know, Eric, my third daughter Evangeline is almost twenty-one. She’s a strong, responsible girl, and soon I’ll want to abdicate my throne to her.”

    When she paused, Eric broke in, “It’s far too soon to think about abdication, Your Majesty.”

    She smiled. “It’s true that I come from a line of long-lived queens, but I don’t want to be stuck in this official life forever. Honored as I am to fulfill my hereditary position, I truly cannot envision serving Avalonia from behind this desk for the rest of my days. I want to spend time with my husbands, directly involved in our favorite charities. But before my crown princess can become queen, I want to make sure she has her household in order. She needs at least one husband.”

    Eric swallowed hard. “Yes, Your Majesty,” the minister agreed, taking a sip of his Scotch. “As I am sure you’re aware, Her Highness is in love with a friend of mine, the Irish banker John Gabriel.” He smiled slightly. He was a bit jealous, of course. Crown Princess Evangeline was a lovely young woman, a favorite of paparazzi the world over.

    The Queen shook her head. “I’m sure Gabriel is a fine man. But he’s an Irish citizen, and out of the country half of the time on business. Traditionally, the queen’s first husband is either native-born or royalty. Gabriel will make a fine second or third husband.” She finished her drink and set the glass on the tray. “Eric, you’re not married, are you?”

    Eric’s heart leapt. He answered in a trembling voice, “No, Majesty.”

    “Please forgive me, Eric. I don’t mean to be so personal, but I must know: do you have a lover?”

    He blushed slightly. At one time, he had been the lover of the queen’s eldest daughter Morgan. That was long before Morgan married her two husbands, and Eric had been without female companionship for longer than he cared to remember. “No, Majesty.”

    “Do you have any children?”

    “No, Majesty.” He felt certain he must be blushing a deep red, if not the color of a beet. It was not every day that one had one’s personal life so closely scrutinized by the head of state.

    The Queen seemed a bit surprised, arching her black eyebrows slightly, but continued. “If my Evangeline agrees, will you marry her?”

    He froze, considering his answer carefully. When the Queen had asked for him that morning, he was expected her to ask him to head off some minor financial crisis. Never, in his wildest flights of fancy, did he consider having to answer this particular question. He reached for his drink, drained it down to the ice cubes and made up his mind.

    Anybody have an idea for a title?

    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/QFROooOSMAX/WIP+Wednesday+Strikes+Again+Writing


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/cQGCls400Sj/WIP+Wednesday+Strikes+Again

    WIP Wednesday Strikes Again

    Posted By Editor on January 18, 2012


    Authors, would you like to share approximately 100-200 words about a current work in progress on a future WIP Wednesday? If so, please e-mail the details to erinoriordan AT sbcglobal DOT net.

    Erin O’Riordan: This is the beginning of one of my current works in progress – romance, not erotica, this time. I was planning on having this polished up and ready to submit by the end of January, but the deadline got moved forward to April 1st. I’ve also been working on one called “Sheep Shifter” this week (definitely due Feb. 1) and another (already accepted) called “Aftercare.”

    Excerpt:

    Eric sat on the long bench of dark wood, its seat worn smooth by heavy traffic. He sat alone, which only underscored to him that whatever the Queen had to say to him, it had to be important. Queen Jasmine rarely had the opportunity to clear her schedule.

    To his left, the heavy door built of the same dark wood at the bench was flanked by two members of the palace guard, dressed in Avalonia’s traditional black and white uniforms. The baroque garments of velvet, satin, lace and hosiery surely looked rather ridiculous to an outsider, but never failed to make Eric proud of his fiercely independent nation and its ancient heritage. Besides, when two men were as tall, muscular and generally dangerous-looking as the two members of the guard currently on duty, no one would dare make fun.

    The doors opened, and a prim-looking young woman with short hair, wearing a dress accented with a red satin rose, stood in the doorway. “Eric de la Fontaine, Her Majesty’s minister of finance,” she announced in the clipped, upper-class accent of the Avalonian capital, Givene. He took his briefcase from where it sat between his feet, rose and approached the woman. She turned, and Eric knew he was to follow her.

    The Queen, a dignified, petite olive-skinned woman of about fifty-five with intense hazel eyes, sat in an ergonomic chair behind a long table. She wore her long, black pulled back in a tight French braid and dressed in a sensible gray wool suit with a skirt that reached just below her knees.

    Eric bowed his head respectfully. “Good afternoon, Your Majesty.”

    “There’s no need to be formal, Eric,” she responded. “I haven’t called you here to talk to you about the affairs of state. I’ve come to talk to you about a personal matter. Please, have a seat.” The Queen’s assistant pulled out a chair across from the Queen, nodded, and returned to her small desk beside the door. Eric placed his briefcase on the table.

    “A personal matter, Your Majesty?” he asked as he sat.

    An attendant, a young man with shockingly red hair, brought the queen a decanter of Scotch, a dish of ice and two glasses on a tray. The attendant added ice to each tumbler, then poured a generous portion of the amber liquid over it. He served the Queen first, then Eric. Eric nodded to indicate his thanks. As the Queen took a long sip of her drink, Eric nipped at his. It was stronger than he typically liked to imbibe this early in the afternoon. He leaned back in his chair and tried to relax, although he felt a surge of anxiety.

    “As you know, Eric, my third daughter Evangeline is almost twenty-one. She’s a strong, responsible girl, and soon I’ll want to abdicate my throne to her.”

    When she paused, Eric broke in, “It’s far too soon to think about abdication, Your Majesty.”

    She smiled. “It’s true that I come from a line of long-lived queens, but I don’t want to be stuck in this official life forever. Honored as I am to fulfill my hereditary position, I truly cannot envision serving Avalonia from behind this desk for the rest of my days. I want to spend time with my husbands, directly involved in our favorite charities. But before my crown princess can become queen, I want to make sure she has her household in order. She needs at least one husband.”

    Eric swallowed hard. “Yes, Your Majesty,” the minister agreed, taking a sip of his Scotch. “As I am sure you’re aware, Her Highness is in love with a friend of mine, the Irish banker John Gabriel.” He smiled slightly. He was a bit jealous, of course. Crown Princess Evangeline was a lovely young woman, a favorite of paparazzi the world over.

    The Queen shook her head. “I’m sure Gabriel is a fine man. But he’s an Irish citizen, and out of the country half of the time on business. Traditionally, the queen’s first husband is either native-born or royalty. Gabriel will make a fine second or third husband.” She finished her drink and set the glass on the tray. “Eric, you’re not married, are you?”

    Eric’s heart leapt. He answered in a trembling voice, “No, Majesty.”

    “Please forgive me, Eric. I don’t mean to be so personal, but I must know: do you have a lover?”

    He blushed slightly. At one time, he had been the lover of the queen’s eldest daughter Morgan. That was long before Morgan married her two husbands, and Eric had been without female companionship for longer than he cared to remember. “No, Majesty.”

    “Do you have any children?”

    “No, Majesty.” He felt certain he must be blushing a deep red, if not the color of a beet. It was not every day that one had one’s personal life so closely scrutinized by the head of state.

    The Queen seemed a bit surprised, arching her black eyebrows slightly, but continued. “If my Evangeline agrees, will you marry her?”

    He froze, considering his answer carefully. When the Queen had asked for him that morning, he was expected her to ask him to head off some minor financial crisis. Never, in his wildest flights of fancy, did he consider having to answer this particular question. He reached for his drink, drained it down to the ice cubes and made up his mind.

    Anybody have an idea for a title?


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/QFROooOSMAX/WIP+Wednesday+Strikes+Again+Writing

    WIP Wednesday with Amber Lea Easton, Romantic Suspense Author

    Posted By Editor on January 12, 2012


    Authors, would you like to share approximately 100-200 words about a current work in progress on a future WIP Wednesday? If so, please e-mail the details to erinoriordan AT sbcglobal DOT net.

    Amber Lea Easton: I’m working on a WIP that I’m really excited about. It’s definitely a work in progress at this stage–only 100 pages written but flowing fluidly. Although I’m a published romantic suspense author, this is going to be more of a Jodi Picoult-type book–definitely not a happy ending but filled with suspense.

    Little Earthquakes Chapter One (partial)

    Bloodstains remained on the hardwood floor despite the endless bottles of bleach and hours of scrubbing. Someone—maybe her mother—had bought a shag rug to cover it. She nudged the corner with her toe.

    The house reverberated with emptiness despite the people gathered downstairs, talking about her life as if it were an impersonal news story. And the questions, the endless questions…as if she had any answers. Ten days ago her life had been whole, maybe not perfect but definitely whole. Family trip to Hawaii: snorkeling with sea turtles, Mai Tais in the moonlight, beach walks with the family…and she had been clueless the entire time.

    Sure there had been trouble, but that was why they had gone on the trip. De-stress, reconnect, all the buzzwords she had used in desperation of holding the family together.

    Lesson learned: buzzwords sucked.

    Fingertips traced the top of the dresser, mind lost in all that had been and would never be. Teeth bit into her lip. Body shook with restrained emotion. Every ounce of strength had propelled her through the day, had held her up while she spoke at her husband’s funeral, had dragged one foot in front of the other as she guided her children down the church aisle.

    And it wasn’t over; this was the threshold.

    There hadn’t been a moment of peace since Marshall had pulled the trigger and blown his face off right in front of her. Chunks of his skull had embedded themselves in her hair, blood had roped across the bed like insane silly string and his body had crumbled where she now stood dressed in a black funeral dress.

    She could still hear it…the gun going off, the kids screaming, “daddy, daddy” from the doorway…could still feel the disbelief gripping her mind, could still feel his lifeless body beneath her hands as she had knelt over him and begged him to stay alive.

    “People are asking about you,” her mother said from the doorway. “You need to—”

    “I know, I know, I know…” she rubbed her hands over her hair.

    “Riana? Are you okay?” Her mother took a step inside the room.

    Okay? Hell no. Her husband had killed himself five days ago. Of course she wasn’t okay. She doubted she even knew what that word meant anymore.

    “I’ll be down in a minute,” she said.

    “We’re all taking this hard, you know.” There it was, the accusation that maybe—just maybe—she should feel guilty for grieving her husband.

    “I know.”

    “There are a lot of people here. You need—” “I need everyone to stop telling me what I need and let me take care of myself and my kids.” An overwhelming desire to slam her hand into the mirror quaked through her. “Just go. I said I’d be down in a minute.”

    She wanted to throw up, curl into a ball on the bathroom floor and escape into numbness. But that wasn’t allowed, not here with these people. That would be seen as weak, as less than whatever the hell it was they thought she should be. As far as she could tell, there wasn’t a manual on how to survive this, let alone how to act on a minute-to-minute basis.

    “You don’t need to be bitchy. This is a tough day for everyone. We all loved Marshall.”

    “Believe me, I wouldn’t want to make it harder on you or anyone else, that’s for damn sure.” Back to her mother, she stared at Marshall’s truck in the driveway.

    If only she could have one more conversation, one more chance to understand, one more…anything. One more kiss. One more hug. One more knock-down-scream-the-walls-down argument.

    “People are here to see you, Riana. You have a responsibility as the widow.”

    Widow. Silently, she repeated the word, tried it out in her mind…it didn’t fit. Widow. She cringed at the word. Too young. Only thirty-seven. Widow. The sound of it twisted the knife deeper into her heart.

    Blowing out a long breath, she squeezed her eyes closed and summoned more strength to keep standing. She heard her mother stir behind her, approach without touching and then leave.

    Hands shaking, she grabbed one of his sweaters he had left hanging on the chair and held it against her chest. Even now she expected to hear his voice any moment, see him walking from the shower wondering what all the chaos was about, see his quick smile and feel his hands move over her arms.

    But none of those things would happen ever again.

    She pulled the sweater over the dress and walked downstairs. One foot in front of the other. Forward momentum.

    In-laws, friends, relatives, and various acquaintances filled the house. Raised voices from the kids outside confirmed their whereabouts. She paused at the picture window on the landing to look at her two children, only 7 and 8, who played in their church clothes as it this were only a big party instead of a memorial for their father. And she prayed and prayed and prayed that they would survive this trauma without too many scars.

    “I don’t know what to say, Riana. I…if there is anything we can do for you…anything…” A hand closed over her shoulder.

    “Thank you.” She looked into the eyes of Marshall’s friend Ron. “I appreciate it.”

    He rocked back on his heels as if he wanted to say more but lacked the courage. She stared him down; waiting for a confession that he had known what Marshall was capable of, that he knew the why. Tears filled Ron’s eyes. With a shake of his head, he backed down a few steps before retreating completely.

    Coward, she thought. Looking around the room she wondered who amidst this group knew the why. She didn’t. She had no idea. Well, maybe she suspected, but she didn’t know the facts. She didn’t know the real reason why.

    As if dragging her legs through mud, she walked to the corner with a good view of the yard.

    “Big group.” Jenna, an old friend from high school, leaned against the wall next to her. “Want a glass of wine?”

    “Desperately.”

    “Thought so.” Jenna handed her a full glass of white wine. “Do you even know half of these people? It’s like the whole town has shown up.”

    “I know.” Both palms cupped the wine glass. “Terri Reynolds even asked me if I was getting life insurance because of the suicide. I have maybe had two conversations with the woman in my entire life.” Her laugh sounded as brittle as she felt. “And look at Marshall’s family from San Diego. In the ten years we’ve lived in this house, they have never bothered to visit. Now here they are, acting like hosts. His uncle even asked me for a tour of the place.”

    “A tour?” Jenna snorted. “I caught your cousin what’s-her-name coming out of your bedroom earlier. She snapped at me to leave her alone.”

    “My room? No one is supposed to be in there.”

    “I told her that. I think she is trying to communicate with his spirit or something.”

    “Whack job,” she muttered before taking a long sip of the wine. “She met him once last Christmas and then again this Easter. Total. She didn’t know him.” Her entire vibrated with the realization that most of the people here were mere acquaintances, that none of them really knew the family at all. Marshall had been her best friend. Not only had they married and raised a family together, they had also worked together. Other people hadn’t been a priority.

    Jenna laid her hand on hers. “It’s okay, Riana. I shouldn’t have mentioned Piper. She’s—“

    “We’re all subject for gossip now, aren’t we?”

    The wine glass crashed to the floor.

    She squatted down to pick up the shards while blinking back the tears that wanted to flow. Helping hands echoed her motions on the hardwood floor, murmured words of encouragement fluttered into her consciousness.

    “Mom, can we go to the rec room?” Her daughter Vanessa’s shoes crunched on the one remaining piece of glass. Blond, blue-eyed, tanned and flawless, Vanessa grinned. “I want to show Sara the air hockey table dad set up.”

    She doesn’t get it, the thought whispered through her mind. Leaving the mess to Jenna, she squeezed Vanessa’s shoulders.

    “Sure. You go.”

    “Shouldn’t the kids be changing clothes?” The cousin in question stepped to her side. “I can help them, watch them, make sure—”

    “They’re fine. Let them play.” She looked at Piper. “I heard you were in my room.”

    “This is all so difficult for me.” Piper’s eyes liquefied in an instant. “It’s bringing up so much from grandpa’s death, my dad’s death, my brother…you know. I have had so much grief in my life. I just—”

    “My bedroom is off-limits.”

    “I wanted to be close to Marshall.” She tossed a strand of bleach blonde hair from her face and blinked at the tears.

    You want to be immersed in the drama, she wanted to say but didn’t.

    “Be close to him somewhere else,” she said through clenched teeth.

    “And don’t worry about what people are saying.” Piper squeezed her upper arm. “You’ll be fine.”

    “What are people saying?” she asked Jenna after Piper walked away.

    “Do you really care?”

    “Riana,” a woman she recognized as one of Marshall’s patients wrapped her arms around her, “I am so sorry. What are you going to do?”

    Do? Stand here. Survive today. Survive tomorrow.

    “I couldn’t believe it when I heard.” The woman held on, her voice slurred with either alcohol or tears. “You’ll have to close the practice. What a tragedy for everyone. How could he be so selfish?”

    “Why would she close the practice?” Jenna asked.

    She broke free of the woman’s clutches, her mind struggling to remember her name and concentrate on her words.

    “Obviously that’s the only choice.” The woman’s voice lowered to a whisper. “It doesn’t invoke confidence when the most reputable psychiatrist in town kills himself. I doubt—”
    “I need some air, excuse me.”

    She half-stumbled, half-ran to the deck. Hands clenched the railing, face lifted toward the sun, lungs struggled for breath. Close the practice. She hadn’t even considered such a thing. They were both psychiatrists. What was her fate now? Lose the husband, lose the career…what next?

    “Who cares? I care.”

    “What?” She blinked, startled by the comment.

    Marshall’s biological father stood behind her, face twisted into a sneer. Winston Warren hadn’t spoken to his son in over three years, yet here he stood acting like a victim for all to see.

    “Never say I didn’t care,” he muttered.

    “I didn’t say it.”

    “Bitch.” With that, he walked back into the house.

    “Riana,” someone called her name but she ignored it.

    She walked down the deck stairs, onto the grass and toward the stream. Fallen leaves crunched beneath her feet. Aspen and pine trees stretched toward a flawless blue sky. Air smelled like late autumn, crisp and rich.

    Numb, she sank onto a rock, squeezed her eyes closed, wrapped the sweater tight around her, inhaled the sweet mountain air, and listened to the garbled whispers of the river.

    “Damn you, Marshall,” she whispered, mouth wet with tears. “Why did you leave us?”

    Diamond Head Image: VideoFrog, Creative Commons license
    White wine: Tim Parkinson, Creative Commons license
    Autumn aspens: © Andrew Dunn, 1992, Creative Commons license

    Amber Lea’s website, blog, Bookstrand page, Twitter and Facebook


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/3ocEBTqvihQ/WIP+Wednesday+Amber+Lea+Easton+Romantic+Suspense

    Need a last-minute Christmas gift? Books = Gifts

    Posted By Editor on December 29, 2011


    A wonderful quote from author/editor Kristina Wright: “Love to read? Looking forward to a new year and new books? Do your favorite authors a huge favor this holiday season. Buy a book. Buy two books! Give them as gifts, keep them for yourself, donate them to a coffee shop or women’s shelter. Start your own book club. Can’t afford books right now? That’s okay. Really! You can still do something meaningful for your favorite authors. Pick a book you read and loved this year (or any year) and pop over to Amazon (or BN; or Twitter or Facebook or your blog or your PTA mailing list) and post a review. It doesn’t have to be long. It doesn’t have to be a summary of every character and plot point. Just tell people why you loved the book. Your enthusiasm will be contagious. Trust me. Someone else will buy the book because of your recommendation. Your favorite authors will make a few extra dollars this holiday season, yes. But more than that, those positive reviews and enthusiastic recommendations mean your favorite authors will garner enough sales to justify their next contracts–and their next books. Which means you will have more books to look forward to in 2012 and beyond. It’s win-win, see? Remember your favorite authors this holiday season. They will thank you for it by writing stories that you love.”

    One of the gifts I’ll be giving this year is World Vision Fair-Trade Coffee. I won a coffee set, including a bag of coffee and a hand-carved wooden coffee scoop, from Tiny Green Mom. The coffee is a blend of fine strains of the bean from Africa, Latin America and Indonesia.

    World Vision is a wonderful organization dedicated to making the lives of the world’s children better (including children in the U.S. as well as other countries). It publishes a catalog through which you can target your donations toward fighting hunger, sponsoring education, providing clean water, helping women find gainful employment or helping women and girls who’ve been sexually exploited.


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/G0vK5vZEglW/Need+last+minute+Christmas+gift+Books+Gifts

    WIP Wednesday, Briefly

    Posted By Editor on December 28, 2011


    Authors, would you like to share approximately 100-200 words about a current work in progress on a future WIP Wednesday? If so, please e-mail the details to erinoriordan AT sbcglobal DOT net.

    Having expended a large amount of creative energy on the Winter Solstice holidays this past week, I don’t have a new work in progress to mention this WIP Wednesday. I will be blogging about Hanukkah one more time, later today at the Whipped Cream guests blog. Join me; I’m giving away copies of my Hanukkah erotic romance “Spicy, Earthy, Sweet.”

    For this blog, I’m working on a list of my top ten reads of 2011. Inspired by Shah Wharton, I’m also considering a post about the meaning of the traditional New Years song “Auld Lang Syne.” Maybe.

    In the meantime, I’m enjoying some other bloggers’ year-end lists. Here are a few:

    This video is from OCD of Books.

    Ruth Mayer Hill’s Top 10 Book Boyfriends of 2011

    Guy LeCharles Gonzalez’s Favorite Reads of 2011

    Literary Centenaries 2012

    Alex O’Hurley’s Sexy Man Monday picks of the year (NSFW!)

    I’d love to hear what YOU are writing about this week – or your favorite book boyfriend/girlfriend of 2011!


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/Atl17d4O9wm/WIP+Wednesday+Briefly

    When, Where and How? ~ Guest Post by Steven M. Moore

    Posted By Editor on December 25, 2011


    When, where, and how do writers’ ideas originate?

    The short answer: anywhen, anywhere, anyhow. I’m speaking about fiction writing, of course. For non-fiction writing, including essays and memoirs, authors generally have all the ideas laid out and just have to connect the dots (that in itself is a nontrivial process, especially with essays, but usually the ideas are already there). For fiction writing, the question in the title is the most common one I receive from readers.

    I wrote my first novel during the summer I turned thirteen. It was terrible, although not very different from the movie City of Angels—so maybe the idea wasn’t half bad. If I remember correctly, I had a lot more erotica in my novel than what happened between the Meg Ryan and Nicolas Cage characters in the movie (it was PG-13, after all). The sexes of my protagonists were also inverted (if angels can have a sex). Not bad for a pubescent teen, but a terrible writing job, nonetheless.

    I live my short answer above. For example, I have managed to drive two wives crazy when I shuffle off in the middle of the night to my desk to write down an idea that just came to me. The frightening thing is that I did the same thing when I was wrestling with a theory or algorithm in my previous career as a physicist. Story detail or equation, the middle of the night is one source of ideas for me. I find this completely natural. When you finally vanquish insomnia and enter that REM world, your mind relaxes and can make intuitive leaps not possible when you’re consciously panning for that golden nugget of an idea.

    In both science and writing, I work top-down. I have the big picture; I just need to fill in the details. Orson Scott Card once said, “Novels aren’t built out of short stories. They are built out of scenes.” The first ideas that come to me are a general plot, then the scenes. Short stories are different. The so-called literary novel often is too, although the best of those, the ones with staying power, are still built on scenes. That’s because real life is often just a series of connected scenes. Once I have the general plot and the scenes, I have the solution to my novel writing problem. The adage then holds—I work hard from thereon to fill in the devilish details.

    The details are what come to me in the middle of the night. Or, in my previous career, when I was driving home from work after my day job. Or, sitting around the lunch table, shocking the young kids with my radical politics and irreverent observations about modern society (this has carried over to my op-ed posts on my blog, if anyone is interested). Or, faced with a blank paper napkin in a coffee shop or bar. Coming up with the details is a bit like Zen enlightenment—you have to empty your mind or at least completely distract it, putting it into a state of relaxation.

    Sometimes this process is fast; other times it’s painfully slow. I can’t control that, although my characters sometimes help by taking over. I often use many characters. Pirandello’s author only had six to torture him. I’ve found that the more I have, the easier it is to put the meat on the scenic skeleton of the story. They don’t all survive, of course. I’m a slash-and-burn editor of my own material. Sometimes I get even and kill off a character. (That happened to Old Bob in my novel Full Medical. A reader complained, so I wrote the short story “Character Assassination” to make him feel better.)

    The Midas Bomb was one of those novels where I couldn’t seem to type fast enough. The details came in an intense rush. The plot came to me in the shower one day and I thought it through as I drove to my day job. I wanted a vehicle for my favorite villain, Vladimir Kalinin, who played a minor role in Full Medical and major ones in Evil Agenda and Soldiers of God. As luck would have it, in the process of writing The Midas Bomb, I created two other more noble characters, NYPD police detectives Chen and Castilblanco. Nevertheless, the original plot, the big idea of The Midas Bomb, came when I was rinsing off the soap in the shower: a hedge fund owner teams up with al Qaeda to short the stock market after an attack on Wall Street. Considering that the book was written just after Bear-Stearns and before the financial collapse of 2008, it’s my most prescient work.

    I write sci-fi thrillers. In The Midas Bomb, the thriller aspect (fighting terrorists) is obvious. The sci-fi is in the dirty bomb, the “radioactive dispersive device” that Vladimir concocts for the terrorists to use (I should say “sci” since the “fi” is evident, although the Times Square bomber came very close to negating that). But what about the characters?

    Vladimir, a sociopath, is also a sex-aholic. He’s not a pervert, though, since he has enough money to buy all the gratification he needs (a different kind of perversion?). The terrorist, Lydia Andreyevna Karpov, is probably my sexiest creation. This brings me back to characters and the details mentioned above. Human beings are sexual. Sex, all kinds of sex—normal, kinky (what’s normal?), lesbian, gay—play such a role in human affairs that I believe characters become two-dimensional if there’s no sexuality. Maybe I’m wrong.

    I’m reminded of the famous sci-fi writer Robert Heinlein who ended his life as a “dirty old man” if his last books are any indication. It all started more or less with Strangers in a Strange Land that became something like the hippies’ bible back in the sixties. Maybe he wrote an erotic novel at thirteen and came full circle? My writing future might come full circle too. Who knows?

    I do know that sex and sexual tension are some of the details I’ve mentioned that are hard to write. To go from the scene title “Lydia seduces Enrique” in The Midas Bomb to describing the details was not easy for me. In this and many other instances, the adage “write what you know” just doesn’t cut it—the writer often has to use his greatest asset, his imagination. Sorry, that’s something you can’t teach—I don’t care how good your MFA program is.

    I was de facto an only child. My brother, bless his soul, was six years older and generally didn’t like a little bugger like me tagging along in his “big boy” activities. I was forced to develop an active imagination. I wasn’t into imaginary friends or anything like that, but I would do things like pretend I was Tarzan and swing naked on a vine with knife clenched in my teeth and then drop into the murky waters of an irrigation ditch (Californian words for “river”). Moreover, I was an avid reader.

    If you allow me to make the analogy between writing a novel and solving a physics problem, imagination is what we call the intuitive leaps we use to perform both these creative activities. Many of the details readers wonder about well up from that imagination spring. I think the proverbial writer’s block is just that spring running dry. I don’t know what to do for the writer when that happens. Wait for the Poland Springs truck, I guess.

    Many writers only have one good story to tell. Two examples are Harper Lee’s To Kill a Mockingbird and Truman Capote’s In Cold Blood, although one can argue that Capote’s friend Lee should have been a co-author of Capote’s book. My old English prof, N. Scott Momaday (House Made of Dawn), is another example. Others have many stories to tell—both Heinlein and Asimov come to mind in the sci-fi world, Follett in the more literary world. The latter are lucky. The former, like Lee and Capote, sometimes lead traumatic lives (fortunately, Momaday hasn’t). Maybe the human tragedy is that often those single novels are superb works of art. It’s as if Beethoven wrote only one symphony.

    I have the good fortune that I have many stories to tell. In my mind’s closets, there are many skeletons, many plots with a good number of scenes already configured. I just have to find time to write down the details. And there’s the rub….

    ***

    Steven M. Moore has written six sci-fi thrillers: The Secret Lab, The Midas Bomb, Full Medical, Evil Agenda, Soldiers of God, and Survivors of the Chaos. The first is a novel for young adults. His interests include mathematics, physics, forensics, genetics, robotics, and scientific ethics, as well as writing dystopian novels containing a glimmer of hope. He has an active blog comprised of op-ed posts, book reviews, interviews, short stories, and comments on the writing business. His wife and he currently live in New Jersey. Visit him at his website: http://stevenmmoore.com.

    Angel art by Adi Holzer


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/LHtu2dHmIjA/How+Guest+Post+Steven+Moore

    Are swear words in book titles appropriate?

    Posted By Editor on December 24, 2011


    Written by Marisa Quinn, author of “Echoes in the Wind” which is scheduled to be released through Champagne Books in March 2012.

    Earlier this year an adult humour picture book written by American author Adam Mansbach called “Go the Fuck to Sleep” reached number 1 on Amazon bestseller list a month before its release through word of mouth.

    Why? Because of the title. People were shocked and horrified to see that word on the front cover of what looked like a children’s book. Suddenly they wanted to learn more about it. Who would write a book with that word in the title? What could it be about? Do I dare read it to children? What type of parent is the author?

    People immediately split into two groups: there were those who thought the title was horrendously inappropriate and actually feared that people would read the book to children and that it would emotionally scar them.

    And then there were people intelligent enough to realise that the book was satire and not meant to be read to children and were able to appreciate the book because they themselves were parents and had secretly longed to utter the words “Go the Fuck to Sleep” to their precious off spring at least once while struggling to put them to bed.

    I think that Adam Mansbach’s decision to title the book “Go the Fuck to Sleep” was pure genius and not vulgar or wrong. There are some who think that putting a swear word into a book title is risky, that it could have a negative effect on sales and is a tacky way of trying to attract attention from readers.

    And they are absolutely right. If you put a swear word in your book title be prepared that some people will find it offensive and might not even want to stock your book in their shops. You’ll get complaints. Bad reviews. Letters from hysterical parents complaining that their child saw your book in a shop and asked them what that word on the front cover meant.

    Bad reviews happen to all authors. If people don’t find your title offensive they will find something else about your book to complain about. I learnt a long time ago not to spend time worrying that my writing might offend someone. Writers should never censor themselves out of the fear that something they write might come across as offensive. Be honest. Not just to yourself but to your book. If you feel like your book should have a sex scene in it…do it! If it needs some violence…do it! If it needs a swear word in the title…for fuck’s sake, do it!

    Just let yourself write.


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/LypVy93KnU3/swear+words+book+titles+appropriate+Guest

    WIP Wednesday/Winter Solstice Wednesday, Week 3

    Posted By Editor on December 21, 2011


    Authors, would you like to share approximately 100-200 words about a current work in progress on a future WIP Wednesday? If so, please e-mail the details to erinoriordan AT sbcglobal DOT net.

    Erin O’Riordan: My current works in progress? I just finished editing another Hurricane book by Joe Caccione, and I’m collaborating with Rushmore Judd on a short story called “The Witch.”

    Winter Solstice Wednesday: According to GoddessGift.com, Rhiannon was the Celtic goddess of the moon and inspiration and Queen of the Fairies. She married the mortal king of Wales, who first spotted her as she rode a fine white horse. Falsely accused of killing their infant son, she was punished by being forced to wear a horse collar. When travelers came to the kingdom, she would tell them of her crime and offer to carry them on her back to the castle. Her son, raised by a farm couple, was later restored to the throne, and Rhiannon regained her place in royal society.

    Some legends link Rhiannon with Vivienne, the Lady of the Lake in Arthurian legend. She is closely linked with horses, and sometimes associated with the Gaulish-Roman goddess Epona, the Great Mare (a name the Romans also bestowed on the grain-goddess Demeter). Epona was especially beloved among the Roman cavalry.

    Rhiannon’s part on the Winter Solstice was to ride through the Welsh people’s dreams, giving them visions and bringing them inspiration for the coming year. The Irish version of Rhiannon’s name is Mare, pronounced MAH-ray, which is said to be the source of the word “nightmare.”

    Although associated with a white horse, Rhiannon inspired the Welsh custom of Mari Lwyd, or Gray Mare. A mare’s skull, sometimes made of wood or cardboard, is mounted on a pole and draped with a white sheet. It may be finely decorated, with colorful ribbons for reins, glass eyes and even snapping jaws. The mare is carried through the streets by a colorfully-dressed party singing traditional songs, sometimes mixed with Christmas carols. Sometimes, a rhyme contest would take place between the members of the Mari party and those inside the houses they visited. The party hoped to be rewarded for their entertainments with cakes and perhaps ale. It was a form of wassailing.

    Of course, “Rhiannon” is also a Fleetwood Mac song written by Stevie Nicks. She also inspired the English nursery rhyme:

    Ride a cockhorse to Banbury Cross
    to see a fine lady upon a white horse,
    With rings on her fingers and bells on her toes
    she shall have music wherever she goes.

    The goddess Rhiannon shares her name with author Rhiannon Mills, who has written the paranormal romances Immortal Ties and Immortal Embrace. Her beautiful, sex-positive blog is Rhiannon’s Paranormally Romantic Bits and Pieces.


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/uig6St-XkpH/WIP+Wednesday+Winter+Solstice+Wednesday+Week

    WIP Wednesday: "Twilight of the Goddesses"

    Posted By Editor on December 1, 2011


    Are you an author? Would you like to tease future readers with a blurb about your current work in progress on a WIP Wednesday? If so, e-mail me at erinoriordan (at) sbcglobal (dot) net. For the month of December, I’ll be supplementing WIP Wednesdays with Winter Solstice posts – it’ll officially be known as Winter Solstice Wednesday – but I’d still love to hear about what you’re currently reading and share it with my readers.

    Erin O’Riordan: I’m offering the full (1,400-word) version of this post as a guest post in today’s BloggerLinkUp newsletter. This is just a little taste.

    “Twilight of the Goddesses” by Erin O’Riordan

    Inside every woman there is a goddess archetype, according to the feminist classic Goddesses in Everywoman. Jean Shinoda Bolen’s 1984 book combined the psychology of women with classical Greek mythology to describe seven personality types. These goddess archetypes reoccur in women’s lives and in literature.

    The women of Stephenie Meyer’s Twilight series are deeply in touch with their inner goddesses. Bella Swan, the human (at least until the fourth book) heroine of the series, has been criticized for her passivity, submissiveness and resemblance to a stereotypical damsel in distress. Yet the storybook cliché of the woman in need of rescue has a deeper meaning, a resonance with one of the classical goddesses of Greek mythology. From motherly Esme to the half-breed infant Nessie, the women of Twilight resemble five of Shinoda Bolen’s seven goddesses.

    Alice ~ Athena

    In Greek mythology, Athena was the warrior-goddess of wisdom. She was the patroness of great heroes including Achilles, Perseus and Jason. Alice Cullen has her own hero: Jasper Cullen, formerly a general in an ambitious vampire’s territory wars. Athena entered the pantheon of Greek deities as a full-grown adult; Alice joined the Cullen vampire coven not as a human but as a fully-formed vampire. Athena’s was also goddess of crafts; Alice has a talent for planning over-the-top, sophisticated parties.

    Women who follow the Athena archetype always know what to wear. Alice has a distinctive sense of fashion and helps Bella choose outfits for special occasions. Athena women want to marry powerful, successful men; Alice is inseparable from Jasper. Wise Athena women go through life seeing clearly, but Alice does them one better: she has visions, literally seeing the future clearly.

    Both images are in the public domain.


    Article source: http://www.zimbio.com/Writers+Blogs+on+Writing/articles/qK0frJojtVl/WIP+Wednesday+Twilight+Goddesses